At-Tāriq
The Nightcomer / The Morning Star
A Majlis of hospitality retracing trans-Saharan musical routes of the Arab world and North Africa.
Long-term research
Tarek Atoui works in long-term threads rather than single exhibitions. Each begins in fieldwork and collaboration, takes form as instruments and listening spaces, and keeps changing as it travels. Follow them below across the years and the places they have sounded — the full chronology lives on the timeline.
ongoingconcluded
The Nightcomer / The Morning Star
A Majlis of hospitality retracing trans-Saharan musical routes of the Arab world and North Africa.
A fusion of Korean traditional percussion and electronic soundscapes, born of fieldwork in South Korea.
Listening devices of brass, water, bronze, glass and stone that let visitors plug in and hear anew.
based on I/E (2015 — ongoing)
Recordings of harbours and docklands — Athens, Abu Dhabi, Singapore, Beirut, Porto — sounded through metal, stone and wood.
An evolving composition bringing experimental instruments and harbour recordings into a shared listening space.
Five years in the Pearl River Delta translated into autonomous instruments of farming, architecture and sound.
Instruments built backwards — from the recorded sound of the Dahlem Sessions to the objects that might have made it.
Sound as an embodied experience, developed with Deaf and hearing participants across nearly 15 countries.
Revisiting Tarab — the emotional ecstasy of classical Arab music — from the archive of Kamal Kassar.