Long-term research

An ongoing inquiry into sound, carried across time and place.

Tarek Atoui works in long-term threads rather than single exhibitions. Each begins in fieldwork and collaboration, takes form as instruments and listening spaces, and keeps changing as it travels. Follow them below across the years and the places they have sounded — the full chronology lives on the timeline.

  • 2011→spanning
  • 9threads
  • 49presentations
  • 36places

The threads

201120142017202020232026
ongoing2024 — ongoing

At-Tāriq

The Nightcomer / The Morning Star

A Majlis of hospitality retracing trans-Saharan musical routes of the Arab world and North Africa.

At-Tāriq
ongoing2023 — ongoing

The Rain

A fusion of Korean traditional percussion and electronic soundscapes, born of fieldwork in South Korea.

The Rain
ongoing2021 — ongoing

The Whisperers

Listening devices of brass, water, bronze, glass and stone that let visitors plug in and hear anew.

The Whisperers
ongoing2020 — ongoing

Waters' Witness

based on I/E (2015 — ongoing)

Recordings of harbours and docklands — Athens, Abu Dhabi, Singapore, Beirut, Porto — sounded through metal, stone and wood.

Waters' Witness
ongoing2019 — ongoing

The Wave

An evolving composition bringing experimental instruments and harbour recordings into a shared listening space.

The Wave
concluded2018 — 2021

The Ground

Five years in the Pearl River Delta translated into autonomous instruments of farming, architecture and sound.

The Ground
concluded2016 — 2021

The Reverse Collection

Instruments built backwards — from the recorded sound of the Dahlem Sessions to the objects that might have made it.

The Reverse Collection
ongoing2013 — ongoing

WITHIN

Sound as an embodied experience, developed with Deaf and hearing participants across nearly 15 countries.

WITHIN
concluded2011 — 2012

On and From Tarab

Revisiting Tarab — the emotional ecstasy of classical Arab music — from the archive of Kamal Kassar.

On and From Tarab